Sundance Film Festival 2022 coverage continues for Rosa and Cat. In this episode, they review four films from the festival:
Director: Phyllis Nagy
Chicago, 1968. As a city and the nation are poised on the brink of violent political upheaval, suburban housewife Joy leads an ordinary life with her husband and daughter. When Joy’s pregnancy leads to a life-threatening condition, she must navigate a medical establishment unwilling to help. Her journey to find a solution to an impossible situation leads her to the “Janes,” a clandestine organization of women who provide Joy with a safer alternative — and in the process, change her life.
“Marte Um (Mars One)”
Director: Gabriel Martin
The Martins family are optimistic dreamers, quietly leading their lives in the margins of a major Brazilian city following the disappointing inauguration of a far-right extremist president. A lower-middle-class Black family, they feel the strain of their new reality as the political dust settles. Tércia, the mother, reinterprets her world after an unexpected encounter leaves her wondering if she’s cursed. Her husband, Wellington, puts all of his hopes into the soccer career of their son, Deivinho, who reluctantly follows his father’s ambitions despite secretly aspiring to study astrophysics and colonize Mars. Meanwhile, their older daughter, Eunice, falls in love with a free-spirited young woman and ponders whether it’s time to leave home.
Director: Carey Williams
Straight-A college student Kunle and his laid-back best friend, Sean, are about to have the most epic night of their lives. Determined to be the first Black students to complete their school’s frat party legendary tour, the friends strap in for their ultimate assignment, Solo cups in hand. But a quick pit stop at home alters their plans when they find a white girl passed out on the living room floor. Faced with the risks of calling the police under life-threatening optics, Kunle, Sean, and their Latino roommate, Carlos, must find a way to de-escalate the situation before it’s too late.
“Brian and Charles”
Director: Jim Archer
An endearing outlier, Brian lives alone in a Welsh valley, inventing oddball contraptions that seldom work. After finding a discarded mannequin head, Brian gets an idea. Three days, a washing machine, and sundry spare parts later, he’s invented Charles, an artificially intelligent robot who learns English from a dictionary and proves a charming, cheeky companion. Before long, however, Charles also develops autonomy. Intrigued by the wider world — or whatever lies beyond the cottage where Brian has hidden him away — Charles craves adventure.
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